Sunday, September 29, 2013
Lately I have been writing the story of Robin Hood and that requires a different approach. I still like to listen to music, but in this case I will listen to music that sets the period for me. The piece is set at about 1100 ad, so music actually from that era is a bit hard to come by and when one does, it can be; shall we say, an acquired taste. More Anonymous4 is in order. There is a French album of music dedicated to the Madonna that is really 14 century. More on the money is “Origin of Fire” which is music by Saint Hildegard circa 1000 ad. The fact that it’s German and that “La Bele Marie” is French and Robin Hood is English doesn’t bother me. Loreena McKennitt is faux period and English language to boot, but it’s so ethereal that the language isn’t a problem. This kind of New age, Medieval crossover works ok because Robin Hood is widely regarded as a fantasy although there is no magic in it and it takes place in history. My version has a bit of New agey fantasy aspect, but not really. It’s similar to the amount you find in David Gemmell’s Troy series, but with less “K”s.
Speaking of Sting and Annie Lennox, Soundtracks like the Lord of the Rings can be very good, but invariably the Bridge of Khazad Dum comes on at the wrong time. Don’t get me wrong. I love that piece. I should just put it with the Halloween music. ; ). Last of the Mohicans is a favorite also.
When I’m painting landscapes I sometimes like to listen to jazz. I like Charlie Parker best. My jazz world basically centers around Bird. My favorite is Bird with Strings. I also love Kind of Blue by Miles Davis. One of the Best selling jazz albums of all time, the musicians were paid a standard session fee of $10 a day each. That kind of thing really chaps my hide.
I hope this rambling tour of part my working process helps you to find a groove to work to. Or at least provide you with some musical ideas to listen to.